Cruncher's Block

Cruncher Block is a notorious criminal figure in the racing world of Speed Racer. Our scene opens in his office, which you come to realise is located in the back of a big rig that is barrelling down the Lonely Highway. The mobile nature of his office is revealed when one of his goons opens a hatch and peeks outside. Whilst ILM did the exterior fight scene, we handled all the interior shots, including the stylised slow-motion shots of the bullets coming through the walls.

The entire interior of Cruncher's office is practical. It was a set piece built on a rocking base, so that throughout the sequence the rocking builds up until the characters get thrown around. We created the CG piranhas that are Cruncher's pets, kept in a large tank behind his desk and used to intimidate his enemies. The tank was practical and sloshed around and we had to animate the fish to match.

The Cruncher Block set piece was built with a strong color scheme and we didn't want to clash with it so we developed the look of our CG to compliment it. The piranhas reflect a lot of the blue light coming off the back of the tank, and have bright green tones in their scales to fit in with the walls of the office. We also gave them bright red eyes that flash and flicker like cats' eyes. With over a dozen VFX vendors worldwide, the overall digital color management of the show was critical. We lit and matched all CG to our plates and then viewed our comps through a LUT that boosted the overall saturation and vibrancy.

The world of Speed Racer

There is an exterior sequence after the gunfight between the truck and Racer X where Racer X picks up Taejo and they have a conversation. We did matte paintings of the forest and tree-lined roadside side of the Lonely Highway. When Taejo and Racer X are in the car together driving along, we created a cycling background in the manner of a traditional animation - repeating the tree elements and sliding the matte painting layers along in 2d as they drive. The simplicity of the technique was intentional and an homage to the economy employed in anime. We also added some glowing anime-styled "speed lines" that whip past to accentuate the motion.

We also did some shots in Royalton's office in Cosmopolis, using a background image of the skyline supplied by Buf in France.


Credits / View the Crew
 
Directors:
The Wachowski Brothers

VFX Supervisor:
John Gaeta, Dan Glass

VFX Producer:
Denise Davis

> View the Crew
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